Pınar Öğrenci's work for this year’s exhibition is a new version of a film that was originally shot in Munich in 1975 by Yugoslavian Black Wave director Želimir Žilnik, this time directed by Pınar Öğrenci and set in the former East German city of Chemnitz. Unlike the original Inventory, in which Mediterranean guest-worker immigrants from the European South descend the stairs of their building, in Öğrenci's remake migrants, mostly Middle Eastern and Asian walk up the stairs and Germany is depicted as not a temporary but a permanent 'home' for immigrants.